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Dick Pics in the Garden of Eden


A comedy about the genesis of lust, shame, and self-expression

D*CK PICS IN THE GARDEN OF EDEN is a playful, weird and comedic take on the subsequent lives of Adam and Eve following their infamous exile, now parenting their troubled children in the Garden of Suburbia.

Eve begins to question her mediocre life and the societal expectation she should stay with Adam and serve him. Can she really step outside of the values around marriage and family that she’s also helped to establish for society? Eden is a wasteland, everyone’s moved to the Garden of Suburbia (it does have the best mall after all) but all is not sunshine and rainbows there either.

Adam is sent on a retrieval mission after being caught sending a dick pic. Eve wants to win the local rose gardening competition. Cain has started an Only Fans account (he has no shame). Lilith is directing her first play, but she’s having trouble with an actor who said they’d get nude but now won’t. Lucifer has lost his edge. And stand-up comedian Dick Dickson thinks it’s over for straight white male comedians in this new woke era… but actually he might not be that straight after all.

This world premiere production takes you on a provocative journey through the human need to be seen and accepted while also exploring the delicate moment we’re in right now where screens and the internet are reshaping human sexuality, possibly (or probably?) forever.

Award-winning writer and director Jeffrey Jay Fowler [FAG/STAG; PERPETUAL WAKE], alongside an ensemble of eight of Perth’s most exciting performers, brings to life an ambitious new work, blending technology and live performance to explore the joy and confusion of existing as a sexual creature.

Event details

  • Duration: 100 minutes (no interval)
  • Content Warning: This show features haze, strobed lighting, coarse language, adult themes, simulated sex scenes, discussions of sexual abuse and intimate partner violence.
  • Age Recommendation: Ages 18+
  •  Audio Description

Price List

  • Adult$40
  • Preview$35
  • Concession$30
  • Groups (4+)$34

The Artists

Jeffrey Jay Fowler

Director & Writer

Jeffrey Jay Fowler is a playwright, dramaturg, director and actor. He wrote and acted in award winning shows A History of Drinking and ELEPHENTS. He has performed in and co-created FAG/STAG (winner Scotsman Fringe First 2017), BALI, THE ADVISORS, PERPETUAL WAKE, ALL THAT GLITTERS and LÉ NØR [THE RAIN] with The Last Great Hunt, of which he is a founding artist.

His other plays include MINNIE AND MONA PLAY DEAD, PRICE TAG, THE ONE, Second Hands, Hope is the saddest, and IMPROVEMENT CLUB.

Among the shows he has directed are Girl Shut Your Mouth, Blithe Spirit, The Eisteddfod (winner 2017 PAWA Best Director and Best Mainstage Play), and In The Next Room, or The Vibrator Play for Black Swan State Theatre Company.

Jeffrey Jay was Associate Director of Black Swan from 2014 to 2017, and then he was their Director of New Writing for 2018 and 19. His postgraduate studies were in directing at NIDA in 2010. In 2020 Jeffrey Jay was awarded the NT Literary Award for The Hypotheticals which he co-wrote with Sarah Reuben.

Arielle Gray


Arielle Gray is a performer, theatre-maker, director, puppeteer, voice-over artist, improviser and founding artist of The Last Great Hunt.

She has a passion for creating and performing in inventive, original and engaging theatre. Roles include – As Adaptor/performer: Cicada (Barking Gecko). As performer: Cloudstreet (Malthouse/Black Swan), Picnic At Hanging Rock (Malthouse/Black Swan): including at the Barbican Centre, London, My Robot (Barking Gecko) and Laika: A Staged Radio Play (Second Chance Theatre).

For The Last Great Hunt - As co-creator and Director: Whistleblower (Winner ‘Outstanding Direction of a Mainstage show’ Performing Arts WA Awards), Stay With Us. As co-creator/performer: Helpmann nominated Lé Nør [The Rain], Helpmann nominated New Owner, The Advisors, All That Glitters, Falling Through Clouds and Helpmann nominated It’s Dark Outside (ArtsHub critics’ choice ‘innovation’ award). As performer: Bite the Hand, Monroe & Associates, Perpetual Wake and Improvement Club.

Chris Isaacs


Chris Isaacs is a writer, devisor, performer, and founding core artist of The Last Great Hunt. As a playwright he has had his works performed nationally and internationally.

Credits include Bite The Hand, York (Co-written with Ian Michael for Black Swan State Theatre Company); the multiple award winning The Great Ridolphi (Blaz Award for New Writing Perth FRINGEWORLD); the multiple award-winning FAG/STAG (co-written with Jeffrey Jay Fowler); award winvning Old Love (Audience Development Award – The Blue Room Theatre); and award winning Flood (PAWA best new play), Bali (co-written with Jeffrey Jay Fowler), and The 1s, The 0s, and Everything In Between (RIPTIDE and ATYP).

As a co-devisor/performer Chris' work includes Lé Nør [The Rain] (Perth Festival) Stay With Us ; All That Glitters; Falling Through Clouds; and the award winning It’s Dark Outside (ArtsHub Innovation Award – 2013 and Helpmann-nominated) for The Last Great Hunt.

Outside of The Last Great Hunt, Chris is a resident artist for Black Swan State Theatre Company and a sessional tutor at the Western Australian Academy of Performing Arts (WAAPA).

Jo Morris


Jo is so proud to be a performer and theatre-maker on Whadjuk Noongar Boodjar, and to celebrate in the rich tradition of storytelling on this land.  Most recently she appeared in the world premiere of Barracking for the Umpire by Andrea Gibbs for Black Swan Theatre Company and The Last Great Hunt’s production of Dick Pics in the Garden of Eden. She has also worked and collaborated with companies such as Barking Gecko, Yirra Yaakin and Griffin Independent, and won multiple awards including the 2014 Blue Room Awards for Best Production and Member’s Choice, and the 2016 PAWA Award for Best Independent Production for Those who fall in love like anchors dropped upon the ocean floor which she performed in and produced, the 2015 PAWA Award for Best Actress for A Streetcar Named Desire, and was the recipient of the Fringe World 2017 ECU Performing Arts Award for her work as a performer in Price TagThe Book of Life and Alone Outside.

David Vikman


David is an actor, theatre maker and puppeteer from Piteå, Sweden. He is classically trained in dance at the National Swedish Ballet School and Lund Performing Arts School, and completed a diploma of acting at Calle Flygare Theatre School in Stockholm.

After moving to Australia in 2018, David graduated from WAAPA with a Bachelor of Performing Arts degree in 2019, and since then has been working as a teaching artist, puppeteer, and actor.

David is fluent in Swedish, Danish, and English, is proficient in Norwegian, and is currently learning Finnish. Le Nør is David’s first professional venture into dialect coaching.

Some of David’s recent performer credentials include D*ck Pics in the Garden of Eden (The Last Great Hunt, 2022), rebirth (APK productions, 2022), Rules of Summer (Spare Parts, 2021), String Symphony (Spare Parts, 2020-ongoing), Maenad Fever (Lazy Films, 2021), and The Big Hoo Haa (2021-ongoing).

David is grateful to live and create on Whadjuk Noongar Boodja.

Adriane Daff

Production Dramaturg

Adriane Daff is an actor, writer, theatre-maker and Core Artist of The Last Great Hunt. Some notable theatre credits include ‘Lé Nør’ which was nominated for two 2019 Helpmann awards (including best new Australian work) and ‘The Irresistible’, which was also nominated for a 2018 Helpmann Award (best new play) and had a seasons at Dark Mofo (2019) and the Sydney Opera House (2019). The creators Adriane Daff, Zoe Pepper and Tim Watts also created ‘The Big Spaghetti’ a 5-part web series that made its international premiere at the Slamdance Film Festival in 2019. Adriane won Best Actress for ‘The Big Spaghetti’ at the NextGen Webfest awards in 2018.

Adriane has studied in Perth (WAAPA BA in Theatre Arts), New York City (Ward Meisner Studio) and Paris (Ecole Philippe Gaulier). In 2018, Adriane wrote, produced and performed in ‘Era of New Paradise’ for the Griffin Theatre’s Batch Festival in Sydney. Adriane also co-wrote the audio works ‘Into the Jungle’ (DreamBig festival in Adelaide), ‘The Turners’(Sydney Writer’s Festival), and ‘The Confidence Man’(Arts House and Perth Theatre Company).

In 2021, Adriane’s first commission, an adaptation of ‘The Cherry Orchard’ (co-written by Katherine Tonkin) was staged by Black Swan State Theatre Company and premiered at Perth Festival. She also made and performed in ‘HYPERDREAM’ for Redline’s season at The Old Fitz and ‘Young & Gorgeous’ for ERTH and Griffin Theatre Company’s Mini Studio Program at Brand X. In 2023 Adriane will appear in ‘IDK’ for Sydney dance theatre company Force Majeure.

Rachel Claudio


Rhiannon Petersen

Lighting Designer

Sophia Morgan

Stage Manager

Georgia Sealey

Assistant Stage Manager

Georgia Sealey is a Boorloo based Stage Manager who recently completed her studies at the Western Australian Academy of Performing Arts in 2021 majoring in Stage Management. Her most recent credits are as Assistant Stage Manager on The Great Un- Wondering of Wilbur Whittaker with Barking Gecko Theatre Company and as Stage Manager on the Vignette Series with Yirra Yaakin Theatre Company. She enjoys working with all types of live performance, especially theatre and contemporary dance. She admires how flexible and expansive live performance is and how it also allows her to practice storytelling, intricacy and courage.

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The Last Great Hunt acknowledges the first peoples of the lands on which we live, play, and work.

We are on the lands of the Whadjuk people of the Noongar nation, and the lands of the Gadigal people of the Eora nation.

We pay our respects to these traditional custodians who have nurtured and cared for the land we are on, and we honour their Elders past and present.

We recognise these nations and their long and ongoing contribution to the cultural and environmental landscape we operate within.

Sovereignty of these lands was never ceded.

For more information on these nations and their treasured cultures visit: Noongar Nation and Eora Nation